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On Our Way

Johannes Vogt

Chinatown, New York City

June 7 - July 21, 2017

Installation view

Installation view

Installation view

Installation view

installation view

Installation view

installation view

Installation view

les rogers on our way

LES ROGERS

On Our Way, 2017

Oil on canvas

88h x 76w x 1 1/4d in

LR2017002

les rogers the big move

LES ROGERS

The Big Move, 2017

Oil on canvas

88h x 76w x 1 1/4d in

LR2017004

les rogers leader

LES ROGERS

Leader, 2017

Oil on canvas

88h x 76w x 1 1/4d in

LR2017005

les rogers frankensteins flower

LES ROGERS

Frankenstein's Flower, 2017

Oil on canvas

88h x 76w x 1 1/4d in

LR2017006

les rogers fearless

LES ROGERS

Fearless, 2017

Oil on canvas

84h x 66w x 1 1/4d in

LR2017008

les rogers as it goes

LES ROGERS

As It Goes, 2017

Oil on canvas

60h x 50w x 1d in

LR2017009

Press Release

Les Rogers “On Our Way” June 7 – July 7, 2017 Extended through July 21, 2017 Johannes Vogt Gallery is pleased to present “On Our Way,” the first solo exhibition by Les Rogers at the gallery. In a suite of large-scale abstract paintings that subtly evoke narratives, Rogers invites us to witness his most intimate works to date. Produced in the course of the last few months these paintings stand before us like characters acting towards an unknown end. Some of the most visceral works in his career, Les Rogers presents his 9th solo show in New York. “On Our Way” offers a group of paintings which, unlike previous efforts, do not contain glints of painted realism, layers of quotations, or specific popular and historical allusions. Each work takes shape initially from impulse, freshly drawn by figuration intermixed with areas of saturated pure color. The viewer encounters shapes protruding and expanding to form a world of their own. In “Fearless”, vertical planes of color on the right side of the painting read as cloaked figures that converse with a playfully and richly colored protagonist on the left. Unexpected combinations of color and shape trigger the viewer’s curiosity as to the nature of the scene, leaving a constant quest for stability in the oscillation between abstraction and figuration. This motion is the main driving force for the painting’s sense of “becoming”. Other titles in the show imply activities and movements: “Leader”, “Watching Over” and “On Our Way” which provides the show with its main theme. Rogers is reevaluating the central topics of his artistic oeuvre at the midpoint of his life, a period in which he observed nature’s beauty in the birth of his second child while relocating his studio and residence. The artist, in the presence of so many new voices, faces and places, responds boldly. Decisions are made instinctively and reactions come at first blush or burst. Rogers’ work has been described as having a “promiscuity of style” (LA Times) and as having a “penchant for stylistic promiscuity” (New York Times). Here we explore the artist boiling down his approaches. Wild gestural expressionism is now more tightly contained yet still reverberating. LES ROGERS was born in 1966, and currently lives and works in New Jersey. He received his Bachelor of Fine Arts degree from the Rhode Island School of Design in 1989. Rogers has had solo shows at Galerie Suzanne Tarasieve (Paris); Leo Koenig Inc. (New York, NY); Half Gallery (New York, NY); Peter Makebish (New York, NY); The Happy Lion (Los Angeles, CA); Galerie Christina Wilson (Copenhagen, Denmark); Galerie Michael Janssen (Cologne, Germany); and Karlheinz Meyer (Karlsruhe, Germany), among others. His work has been included in group exhibitions at Galerie Kornfeld (Berlin, Germany); New Jersey Museum of Contemporary Art (Wickatunck, NJ); Haunch of Venison (New York, NY); and Apexart (New York, NY). Rogers’s work has been reviewed in publications including Artforum, Art in America, The Los Angeles Times, The New Yorker, and The New York Times.

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